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・ Thomas Sharpe (politician)
・ Thomas Shaughnessy, 1st Baron Shaughnessy
・ Thomas Shaw
・ Thomas Shaw (blues musician)
・ Thomas Shaw (composer)
・ Thomas Shaw (divine and traveller)
・ Thomas Shaw (Halifax MP)
・ Thomas Shaw (Medal of Honor)
・ Thomas Shaw (World War I veteran)
・ Thomas Shaw Brandreth
・ Thomas Shaw, 1st Baron Craigmyle
・ Thomas Shaw, 3rd Baron Craigmyle
・ Thomas Shea
・ Thomas Shea (composer)
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Thomas Shearer
・ Thomas Sheasby
・ Thomas Sheehan
・ Thomas Sheehy
・ Thomas Shelby
・ Thomas Shelby House
・ Thomas Sheldon Maxey
・ Thomas Shelmerdine
・ Thomas Shelton
・ Thomas Shelton (gospel singer)
・ Thomas Shelton (stenographer)
・ Thomas Shelton (translator)
・ Thomas Shenk
・ Thomas Shepard
・ Thomas Shepard (minister)


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Thomas Shearer : ウィキペディア英語版
Thomas Shearer

Thomas Shearer was an 18th-century English furniture designer and cabinet-maker.
Shearer was a craftsman and the author of most of the plates in ''The Cabinet Maker's London Book of Prices and Designs of Cabinet Work'', issued in 1788 "for the London Society of Cabinet Makers." The majority of these plates were republished separately as Designs for Household Furniture. They exhibit their author as a man with an eye at once for simplicity of design and delicacy of proportion. Indeed some of his pieces possess a dainty and slender elegance which has never been surpassed in the history of English furniture.
There can be little doubt that Shearer exercised considerable influence over George Hepplewhite, with whom there is reason to suppose that he was closely associated, while Thomas Sheraton has recorded his admiration for work which has often been attributed to others. Shearer, in his turn, owes something to the Adam brothers, and something, no doubt, to the stock designs of his predecessors.
There is every reason to suppose that he worked at his craft with his own hands and that he was literally a cabinet-maker—so far as we know, he never made chairs. Much of the elegance of Shearer's work is due to his graceful and reticent employment of inlays of satinwood and other foreign woods. But he was as successful in form as in decoration, and no man ever used the curve to better purpose.
In Shearer's time the sideboard was in process of evolution; previously it had been a table with drawers, the pedestals and knife-boxes being separate pieces. He would seem to have been first to combine them into the familiar and often beautiful form they took at the end of the 18th century. The combination may have been made before, but his plate is, in point of time, the first published document to show it.
Shearer, like many of his contemporaries, was much given to devising "harlequin" furniture. He was a designer of high merit and real originality, and occupies a distinguished place among the little band of men, often, like himself, ill-educated and obscure of origin, who raised the English cabinet-making of the second half of the 18th century to an illustrious place in artistic history.
==Sources==




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